Galleys or “proofs,” for those of you who don’t know, are long sheets on which the contents of a book are printed, usually two and a half pages or so to each galley sheet. The writer is supposed to read over them carefully, trying to catch all the typos made by the printer and all the infelicities made by himself. Such “proofreading” and corrections are meant to ensure that the final book will be free of errors. I suspect that most writers find galleys a pain, but I like them. They give me a chance to read my own writing. The problem is that I’m not a good proofreader, because I read too quickly. I read by “gestalt,” a phrase at a time. If there is a wrong letter, a displaced letter, a missing letter, an excessive letter, I don’t notice it. The small error is lost in the general correctness of the phrase. I have to force myself to look at each word, each letter separately, but if I relax for one moment I start racing ahead again.

Source:Guide to Shakespeare, I, Asimov: A Memoir (1994)
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