There are so many directors in blockbuster sagas that are so scared to kill off their characters, and are so comfortable with bringing characters back to life, and all of these little writer tricks that I think are quite cheeky. And I really like that she was actually killing people, because if you’re not making it dangerous, then why are we even here? Why are we concerned by the story? Why do we care? Leslye has such a backbone as a writer to make you fall in love with these characters and then slaughter them all like pigs.[about Leslye Headland]