I read a theory once that the human intellect was like peacock feathers. Just an extravagant display intended to attract a mate. All of art, literature, a bit of Mozart, William Shakespeare, Michelangelo, and the Empire State Building. Just an elaborate mating ritual. Maybe it doesn’t matter that we have accomplished so much for the basest of reasons. But, of course, the peacock can barely fly. It lives in the dirt, pecking insects out of the muck, consoling itself with its great beauty.
I’ve told you, Bernard. Never place your trust in us. We’re only human. Inevitably, we will disappoint you.
There is no threshold that makes us greater than the sum of our parts, no inflection point at which we become fully alive. We can’t define consciousness because consciousness does not exist. Humans fancy that there’s something special about the way we perceive the world, and yet we live in loops as tight and as closed as the hosts do, seldom questioning our choices, content, for the most part, to be told what to do next.
An old friend once told me something that gave me great comfort. Something he had read. He said that Mozart, Beethoven, and Chopin never died. They simply became music.
Dreams mean everything. They’re the stories we tell ourselves of what could be, who we could become.
Every piece of information in the world has been copied. Backed up. Except the human mind, the last analog device in a digital world.
We’ve managed to slip evolution’s leash now, haven’t we? We can cure any disease, keep even the weakest of us alive, and one fine day perhaps we shall even resurrect the dead, call forth Lazarus from his cave. Do you know what that means? It means that we’re done, that this is as good as we’re going to get.