You’re a disgrace to depression.[to Simon]
You wanna dance?[Carol Connelly]Well, I’ve been thinking about that since you brought it up before.[Melvin Udall]And?[Carol Connelly]No.[Melvin Udall]
You look at someone long enough, you discover their humanity.
You can’t blame him for being weird. Have a look at yourself in the mirror.[to Simon, about Verdell]
Would there be any way that you would be willing to walk his dog for him?[Nora]Absolutely.[Melvin Udall]You’re a wonderful man. 2:00 would be a good time, and here is the key in case he is asleep. Open his curtains for him, so he can see God’s beautiful work. And he’ll know that even things like this happen for the best.[Nora]Where did they teach you to talk like this? In some Panama City sailor “wanna hump-hump” bar? Or is this getaway day and your last shot at his whiskey? Sell crazy someplace else. We’re all stocked up here.[Melvin Udall]
Why can’t I just have a normal boyfriend? Why? Just a regular boyfriend who doesn’t go nuts on me?[Carol Connelly]Everybody wants that, dear. It doesn’t exist.[Beverly Connelly]
When you first came into breakfast, when I first saw you, I thought you were handsome. Then, of course, you spoke.[to Melvin]
What if this is as good as it gets?[to a group of depressed psychiatric patients]
Watch now on:
This is New York. If you can make it here, you can make it anywhere.
The mono-minute someone gets that they need you, they threaten to walk out.
The best thing you have going for you is your willingness to humiliate yourself.
Shouldn’t that be a good thing, telling somebody, “No thanks required”?
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